Phenomenology
Harman — How little we know.
Harman — on Heidegger
"Our primary relationship with objects lies not in perceiving or theorizing about them, but simply in relying on them for some ulterior purpose."
- G. Harman, “On vicarious causation,” Collapse: Philosophical Research and Development 2 (2007): 187–221.
Harman — ready to hand
"To be ‘ready-to-hand’ does not mean to be useful in the narrow sense, but to withdraw into subterranean depths that other objects rely on despite never fully probing or sounding them."
- G. Harman, “On vicarious causation,” Collapse: Philosophical Research and Development 2 (2007): 187–221.
Harman — Statement of claim
"My claim is that two entities influence one another only by meeting on the interior of a third, where thay exist side-by-side until something happens that allows them to interact."
G. Harman, “On vicarious causation,” Collapse: Philosophical Research and Development 2 (2007): 187–221.
Merleau-Ponty—Imaginary and vision
- M. Merleau-Ponty, “Eye and mind,” The primacy of perception (1964): 159–190.
Merleau-Ponty—Painting
"Essence and existence, imaginary and real, visible and invisible—painting scrambles all our categories, spreading out before us its oneiric universe of carnal essences, actualized resemblances, mute meanings."
Merleau-Ponty—Things and bodies
"Visible and mobile, my body is a thing among things; it is one of them. It is caught in the fabric of the world, and its cohesion is that of a thing. But because it moves itself and sees, it holds things in a circle around itself. Things are an annex or prolongation of itself; they are incrusted in its flesh, they are part of its full definition; the world is made of the very stuff of the body."
Merleau-Ponty—Play
"my body simultaneously sees and is seen. That which looks at all things can also look at itself and recognize, in what it sees, the "other side" of its power of looking."
Merleau-Ponty—Embodiment + vision
"The visible world and the world of my motor projects are both total parts of the same Being.
Merleau-Ponty—Embodiment
"We cannot imagine how a mind could paint. It is by lending his body to the world that the artist changes the world into paintings... that body which is an intertwining of vision and movement."
Merleau-Ponty, M. “Eye and mind.” The primacy of perception (1964): 159–190.