performance

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Adrien Mendot
Cinematique

Une courte présentation vidéo du spectacle Cinematique, créé en janvier 2010 à l'Hexagone, scène nationale de Meylan.

adrienm.net/​spectacles/​cinematique/​index.html

Distribution :
Adrien Mondot - Conception, développement informatique et interprétation
Satchie Noro - danse
Christophe Sartori et Laurent Buisson - musique / création sonore
Elsa Revol - création lumière
Charlotte Farcet - dramaturgie
Alexis Lecharpentier - assistant développement informatique et technique
Jérémy Chartier et Hervé Lonchamp (en alternance) - régie générale et lumière
Laurent Lechenault - régie son

 

Cinematique - trailer from Adrien Mondot on Vimeo.

Chunky Move
Mortal Engine

Mortal Engine
a dance-video-music-laser performance

CONCEPT
Mortal Engine is a dance-video-music-laser performance using movement and sound responsive projections to portray an ever-shifting, shimmering world in which the limits of the human body are an illusion. Crackling light and staining shadows represent the most perfect or sinister of souls. Kinetic energy fluidly metamorphoses from the human figure into light image, into sound and back again. Choreography is focused on movement of unformed beings in an unfamiliar landscape searching to connect and evolve in a constant state of becoming. Veering between moments of exquisite cosmological perfection and grotesque evolutionary accidents of existence, we are driven forward by the reality of permanent change.

CREATIVE TEAM

DIRECTION AND CHOREOGRAPHY Gideon Obarzanek
INTERACTIVE SYSTEM DESIGN Frieder Weiss
LASER AND SOUND ARTIST Robin Fox
COMPOSER Ben Frost
COSTUME DESIGNER Paula Levis
LIGHTING DESIGNER Damien Cooper
SET DESIGN Richard Dinnen and Gideon Obarzanek
MULTIMEDIA ENGINEER Nick Roux

 

Klaus Obermaier
Apparition, 2004, Interactive Dance

An interactive dance and media performance conceived and directed by Klaus Obermaier, in collaboration with the Ars Electronica Futurelab, featuring Desirée Kongerød and Matthew Smith.

APPARITION takes interactive performance to another level through the creation of a unique stage work integrating live performance, sound, projection and an interactive system comprising real-time image generation and computer vision.

Computational processes that model and simulate real-world physics create a kinetic space where the beauty and dynamics of the human body and its movement quality are extended and transferred into the virtual world.

These two main areas of research, the interactive digital system as performance partner and the creation of an immersive kinetic space, form the artistic framework for APPARITION.

More info: http://www.exile.at/apparition/

 

Klaus Obermaier
the concept of ... (here and now)

Accademia Nazionale di Danza di Roma
in collaboration with Universita IUAV di Venezia - Faculty of Arts and Design.
Dance: Barbara Autiero, Sara De Santis.

Klaus Obermaier & Ars Electronica Futurelab
Apparition, Part 2 (2004)

An interactive dance and media performance conceived and directed by Klaus Obermaier, in collaboration with the Ars Electronica Futurelab, featuring Desirée Kongerød and Rob Tannion.

- What choreography emerges when software is your partner?
- When virtual and actual image space share the same physics?
- Where everything that moves on the stage is both interactive and independent?
- And any form, dancing or still, can be transformed into a kinetic projection surface?

http://www.exile.at/apparition/

Nikita Tsymbal
quad, round and line interactive performance

quad is the first part of this interactive dance project by Moscowian architecht  Nikita Tsymbal.
Exploring the computer vision tracking to create live video coreographies in real time with graphic elements. Check out the other parts : round and line.

Ole Kristensen
Body Navigation

Dance Installation and Choreography for Labyrint at Kaleidoskop K2, Copenhagen a project from Ole Kristensen and Recoil Performance Group, from spring 2008.

A reactive floorprojection for a Recoil Performance Group dance performance/installation. Developed with choreographer Tina Tarpgaard and programmer Jonas Jongejan. The installation was part of a larger installation and moern dance performance by Tim Rushton, Danish Dance Theatre called Labyrint. We used processing for the infrared blobtracking of the dancers and drawing the open gl graphics. During the performance Tina controlled the whole thing live from an Isadora-based interface via osc.

 

Body Navigation (8 min. trailer) from ole kristensen on Vimeo.

Tina Tarpgaard
FROST

Choreography: Tina Tarpgaard (recoil)
Video artist: Ole Kristensen and Jonas Jongejan
Music: Jens Hørsving
Costumes: Charlotte Østergaard
Light Design: Andreas Buhl

Produced by Danish Dance Theatre
Thanks to: Emma- Cecillia Ajanki, Frieder Weiss, Matias Seibæk and Andreas Olsen, Anders Jørgensen, Illutron

 

FROST from Tina Tarpgaard on Vimeo.